The Orpheum Theatre Group made the decision after patrons took issue with the screening of the movie starring Vivien Leigh as Scarlett O’Hara on August 11. Continue reading
Imagine a Boot Stamping on Your Face
“The Internet is watching us now. If they want to. They can see what sites you visit. In the future, television will be watching us, and customizing itself to what it knows about us. The thrilling thing is, that will make us feel we’re part of the medium. The scary thing is, we’ll lose our right to privacy. An ad will appear in the air around us, talking directly to us.” — Director Steven Spielberg, Minority Report
We have arrived, way ahead of schedule, into the dystopian future dreamed up by such science fiction writers as George Orwell, Aldous Huxley, Margaret Atwood and Philip K. Dick.
Much like Orwell’s Big Brother in 1984, the government and its corporate spies now watch our every move.
Much like Huxley’s A Brave New World, we are churning out a society of watchers who “have their liberties taken away from them, but … rather enjoy it, because they [are] distracted from any desire to rebel by propaganda or brainwashing.”
Much like Atwood’s The Handmaid’s Tale, the populace is now taught to “know their place and their duties, to understand that they have no real rights but will be protected up to a point if they conform, and to think so poorly of themselves that they will accept their assigned fate and not rebel or run away.” Continue reading
The recent death of Gene Wilder prompted the theatrical re-release of two of his most popular movies. For those unfamiliar with the great comic actor on the big screen, that new release yielded much more than a windfall of laughs.
“We’ve got to save our phony-baloney jobs,” perhaps the truest line in all of cinema. In September, Willie Wonka and the Chocolate Factory, Wilder’s family-friendly film from 1971, played in 200 cinemas. The 1974 Western satire Blazing Saddles played in only 60 theatres but was more significant, for several reasons… Continue reading
In the early 1960’s, on Friday nights I would watch WTTW, the local PBS television station in Chicago. Their offering? Silent movies. The one that struck me the most – ‘Metropolis‘ – the 1927 film by German Director, Fritz Lang with musical ‘soundtrack’ by Gottfried Huppertz.
In this past half-century plus, missing segments of the film have been discovered and the film was eventually restored to its near full original presentation – the Director’s cut – if you will.
Over the years I have witnessed numerous additions and partial restorations including the first semi-full major restoration of the film – including digital applications in 2001. ‘Metropolis’ was once again upgraded in 2010 as additional footage was discovered.
Why does any of this matter? To some – it will not. To others, you will realize that what you are about to watch is an eighty-nine year old depiction of life in the future. Much of it has come to pass.
Oh yes… what you about to see has been modified by a fan, to include the music of Pink Floyd (‘Wish You Were Here‘). It is set set to the pre-2010 version (without the most recently discovered footage).
Today is one of those days that I am not up to publishing new columns on this day.
Let us return – Back – to OUR Future.
Enjoy the beauty of REAL film-making. ~ (J.B.)
George Kennedy, an American actor who won an Academy Award for playing a hulking chain gang convict who pummels Paul Newman in the 1967 film “Cool Hand Luke” and later earned laughs in the “Naked Gun” comedy films, has died, media outlets reported on Monday. He was 91.
The Hollywood Reporter and Variety, citing a Facebook post made by Kennedy’s grandson, said the actor died early on Sunday in Boise, Idaho. Reuters could not independently verify the reports. Continue reading
“The West has never known a Hero like the Killer who commanded Fort Massacre” ~ Taken from the film trailer of the 1958 Western, “Fort Massacre.”
For those of us who have realized that no matter who we vote for, a corrupt government gets elected, the past few days have provided an awful lot of humorous but thoughtful moments. It has been fun to watch the Republican Party continue to implode as their previous demand that Donald Trump not run as a 3rd party candidate begins to backfire and further illustrate there is actually no significant difference between them and the Democrats. As this writer has previously written, one of the strongest supporters of current, stated republican principles is none other than the Democrat front runner, Hillary Clinton. She supports everything Jeb, Marco, Carly, Lindsey Graham, Huckabee and Ben supports, militarily and socially, even more so in many regards.
A couple of days ago, Trump set the media (social and sycophant) on fire with his proposal to stop all immigration of Muslims “until our country’s representatives can figure out what is going on.” It certainly appears the entirety of the political world has turned on the “Donald” with many making reference to the same Constitution they have studiously avoided while religiously supporting unconstitutional social issues and unlimited wars. Continue reading
When does the day come, when one can put aside the trials of life – and just
The Hollywood Reporter calls it a “shocker” that a patriotic movie by one of the best directors working today, about an American hero who kills jihadists, is really, really popular. To me, that sounds like a formula for success, but Hollywood still thinks tender stories about gay males coming of age are what the public demands, along with cartoonish special effects-laden, nine-figure-budget mind candy. Continue reading
Elia Kazan’s classic A Face in the Crowd is a good primer on Barack Obama’s rise and fall. Lonesome Rhodes arises out of nowhere in the 1957 film, romancing the nation as a phony populist who serially spins yarns in the most folksy ways — confident that he should never be held to account. Kazan’s point (in the film Rhodes is a patsy for conservative business interests) is that the “folks” are fickle and prefer to be charmed rather than informed and told the truth. Rhodes’s new first name, Lonesome, resonates in the film in a way that Barack does now. Finally, an open mic captures Rhodes’s true disdain for the people he champions, and his career crashes. Continue reading
Scott Eyman’s new life of the actor John Wayne portrays an extremely complicated man who invented his own public persona and played it beautifully.
“Truly, this man was the son of God.” Thus speaks a Roman centurion at the end of George Stevens’s inaptly named The Greatest Story Ever Told (1965). It’s a line that always gets a big laugh, partly because the idea of anything so irreligious as Hollywood hokum commenting on the provenance of Jesus Christ is axiomatically funny, but mostly because the centurion is played by John Wayne, a movie star who might have known a son of a gun when he saw one, but who patently knew precious little else.
Except, one learns from Scott Eyman’s exhaustive new biography, John Wayne: the Life and Legend, Wayne was a rather more cultivated man than his movie persona allowed. He was a talented chess-player and no slouch at bridge, and he had a penchant for reciting Milton and Dickens and Shakespeare from memory. Among the titles on his bookshelves were first editions of Lolita and Tolkien’s Lord of the Rings, as well as a complete set of Winston Churchill’s prose. True, he got into the University of Southern California on a football scholarship. But at high school, in Glendale, he had won the essay of the year award, had written for the student newspaper, was a lynchpin of the debating team and was both President of the Latin society and Chairman of the Senior Dance. Continue reading
Once in a while, Hollywood gets it right: for example, The Hunger Games: Catching Fire. As Breitbart News has already noted, it’s a distinctly dystopian take on the future, seen from the perspective of year five of the Obama era.
And as with its predecessor film from last year, The Hunger Games, this new film is a big hit. As a commentary on Obama’s America, that’s all the more revealing since movie audiences tilt young. In fact, Americans aged 12-24 represent only 10 percent of the US population, although they account for nearly a third of US moviegoers. So it’s the young—supposedly a cohort of Obama loyalists—who are bulking up the audiences for this PG-rated film.
Yet it must be observed that the source material precedes Obama; the first novel, The Hunger Games, appeared in 2008. Indeed, author Suzanne Collins has said that George W. Bush’s Iraq War was a major inspiration for the whole Hunger Games trilogy.
In other words, if American presidents, and their policies, are to be given “credit” for Collins’ dystopian fantasies, the credit must then be apportioned between the two parties. Continue reading
Every so often we are reminded of our roots – back on the old Hollywood lot. The Federal Observer has posted this video in the past, yet it seems even more relevant today. There are great lessons in movies – not all – but the true classics – and this is one of them. Thanks to the good folks over at Zero Hedge for reminding us. See you at the movies… (Ed.)
Every now and then, it is good to refresh knowledge of what is truly important in life. So it’s time to post “The Greatest Speech Ever” by Charlie Chaplin. Charlie Chaplin was known as the greatest silent actor ever. The most powerful excerpts from his speech, still very relevant today, in my opinion, are below:
“And the good earth is rich and can provide for everyone. The way of life can be free and beautiful, but we have lost the way. Greed has poisoned men’s souls, has barricaded the world with hate, has goose-stepped us into misery and bloodshed. We have developed speed, but we have shut ourselves in. Machinery that gives abundance has left us in want. Our knowledge has made us cynical. Our cleverness, hard and unkind. We think too much and feel too little. More than machinery we need humanity. More than cleverness we need kindness and gentleness. Without these qualities, life will be violent and all will be lost.” Continue reading
Hedy Lamarr, Old Hollywood sex symbol, had a brain. It’s a fact that may be nearly as overlooked as the inventor’s wartime creation: landmark technology that was a precursor to Bluetooth.
It’s not surprising that she’s known best for her sultry persona, given her film role that made everyone sit up and take notice. In 1933’s “Ecstasy,” a Czech film, she raised eyebrows and drew condemnation around the globe when she appeared nude in one part of the film and simulated an orgasm in another.
Lamarr is seen going skinny-dipping and, still without a stitch on, chasing a runaway horse. The orgasm scene comes later, and, yes, she does smoke a cigarette afterward. “Ecstasy” is considered the first theatrically released movie to feature an actress simulating an orgasm on screen. Continue reading
A television movie like An American Story couldn’t get greenlit today. In fact, it’s still surprising the Hallmark Hall of Fame and CBS joint production actually got broadcast back in 1992.
Yet this fictionalization of the Battle of Athens, the last and best modern example of American citizens forcefully asserting their Second Amendment rights, was actually shown only 21 years ago. The telepicture earned two Primetime Emmy nominations, one for music and another for cinematography.
This well made TV movie, starring Brad Johnson and directed by John Gray, depicted the last time in modern American history when a large group of decent, ordinary citizens were involved in an armed confrontation with criminally corrupt representatives of their own government. Continue reading
I saw the new Les Misérables film this week. It was rather like being hit by a truck, which then kept reversing and ploughing resolutely forward again.
Generally, I prefer my musical politics a tad more Nixon in China. Still, the decision to shoot the numbers largely in single shots means the singers are forced to act, not simply bawl X Factor-style. Brit Eddie Redmayne is revealed to boast not just cheekbones, but a sterling tenor, too, the old hoofer, and Sacha Baron Cohen will be wasted if he is not booked for panto next Christmas.
I’m not sure how it’s going to play in the US, though. For a start, the bromance is subdued for a nation that brought us Top Gun’s bros riding bros’ tails.
Moreover, the various poxes, STDs, boils and not just British but also French teeth are likely to inspire hysteria in the neurotically sanitised US of A. And this before the male leads spend several scenes literally covered in shit. Still, it will serve to confirm everything Yanks feel about contemporary Europe.
“Let me tell you about Florida politicians. I make ’em out of whole cloth, see – just like a tailor makes a suit.
Yeah, that’s right – I get their name in the newspaper. I get ’em some publicity and get ’em on the ballot, then after the election, we count the votes… and if they don’t turn out right – we recount ’em – and recount ’em again until they do.” – Edward G. Robinson as ‘Johnny Rocco,’ Key Largo, Warner Bros Pictures; 1948
Paint Your Wagon! Clint Eastwood just dropped another nuke on Obama. In the latest issue of The Carmel Pine Cone (Sept 7-13, 2012) American’s favorite actor said,
“President Obama is the greatest hoax ever perpetrated on the American people.”
The Pine Cone is the weekly newspaper for Carmel and the Monterey Peninsula. Clint Eastwood was the Mayor of Carmel, California from 1986 to 1988 and didn’t run for a second term. Clint was elected in a landslide with 72% of the vote. President Ronald Reagan called Clint to congratulate him on his victory. Mayor Eastwood accomplished all of his campaign promises while in office and cleaned out a lot of the bureaucracy and red tape that riled him enough to run for office in the first place. You don’t mess with The Enforcer.
Maybe Obama should look up from his teleprompter and take a peek at the High Plains Drifter riding his way. The Pale Rider told the Pine Cone in last Tuesday’s interview,
“Romney and Ryan would do a much better job running the country, and that’s what everybody needs to know. I may have irritated a lot of the lefties, but I was aiming for people in the middle.” Continue reading
Warner Brothers and Its Decades of Violent Films
LOS ANGELES Family films are in the DNA at Walt Disney.
Universal Pictures has a weakness for monsters.
And Warner Brothers? Its movies have often displayed a violent streak.
For decades Warners films have frequently put the studio in the middle of a perpetual and unresolved debate over violence in the cinema and in real life. That debate has been revived after the deadly shootings last Friday in an Aurora, Colo., movie theater at an opening night showing of The Dark Knight Rises, from Warner.
While the box-office success of Dark Knight seems assured the opening weekend produced $160 million in North American sales Warner executives have decided to delay the planned Sept. 7 release of another film, Gangster Squad, according to a person who was briefed on the studios plans on Tuesday and spoke anonymously because the change has not been officially announced. The film is a hard-edged cinematic portrayal of the police war on mobsters in mid-20th-century Los Angeles. Continue reading
Now that President Obama is out of the closet and stands revealed as a petulant and resentful socialist, who values the collective over the individual and sees the productive class as vampires feeding on the weak and the downtrodden, lets give equal time to Ayn Rand, via her architect, Howard Roark, in The Fountainhead.
First, the president:
“If youve got a business, you didnt build that. Somebody else made that happen.”
Yeah, right. Only someone whos never accomplished a thing in his life except get elected to various offices could say something like that. His statement bespeaks anger, pettiness, jealousy, destructiveness and rage in short, everything weve come to expect from the Parasitical Left.
Contrast Obamas Kinsley gaffe (defined as when a politician inadvertently blurts out the truth) with Roarks famous defense speech from the 1949 movie starring Mr. All-America himself, Gary Cooper. You dont have to be a Randian to cheer sentiments like these:
“The creator stands on his own judgment. The parasite follows the opinions of others. The creator thinks; the parasite copies. The creator produces; the parasite loots. The creators concern is the conquest of nature. The parasites concern is the conquest of men The parasite seeks power. He wants to bind all men together in common action and common slavery.
Look at history. Everything we have, every great achievement has come from the independent work of some independent mind. Every horror and destruction came from attempts to force men into a herd of brainless, soulless robots It is an ancient conflict. It has another name: the individual against the collective.”
So there it is, Election 2012 in a nutshell: the individual vs. the collective.
We know which side the president is on. Which side are you on?
Written by Michael Walsh and published on the PJ Media, July 19, 2012.
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“Instant gratification is the name of the game today. No foreplay – no after play. Let’s just get it on ‘for the moment!'” – Jeffrey Bennett, Editor
For young people, the focus seems to be on what can be talked about now new movies serve an immediate social function. Old films are being forgotten.
A lot of folks have wondered whether it is too soon, just 10 years after the release of the original film and five years after the third installment, to relaunch Spider-Man. When questioned, a producer of the new picture snapped that anyone who asked that is “too old.” He may have been dismissively arrogant, especially to geriatrics over 30, but he may also have been right. Continue reading
It’s 1929 all over again and “Mr. Hammer” is at the auction bloc over at Cocoanut Manor in the Jewish neighborhood. “Why a Duck?” Because it quacks! (Ed.)
When Buddy Persaud promised his investors the moon and the stars, he wasnt kidding.
Persaud, an Orlando-based financial broker, believed the markets were affected by lunar cycles and gravitational pull.
When surprise, surprise the heavens failed him, Persaud paid out their promised high rates of return (up to 18 percent) by simply recruiting new investors and using their funds to pay off the old ones, the Securities and Exchange Commission alleges.
Put simply, he ran a Ponzi scheme the non-sustainable pyramid fraud that invariably ends in ruin.
In the dirty world of Florida Ponzi schemers, Persaud is a small-timer. His enterprise, which totaled $1 million, was a comparable pittance. Continue reading
NEW ORLEANS A federal jury late Thursday rejected claims that Kevin Costner and his business partner duped fellow actor Stephen Baldwin and a friend out of millions of dollars from a BP contract for using oil cleanup devices in the aftermath of the 2010 Gulf of Mexico spill.
The panel deliberated for less than two hours before delivering the verdict in the lawsuit brought by Baldwin and his friend, Spyridon Contogouris. Their lawyer had asked the eight-member jury to award the plaintiffs more than $17 million in damages.
The jury gave them nothing. Continue reading
C’mon man, this is 2011 and you’re STILL tricked by “liberal vs. conservative” American politics?
Let me guess, do you LOVE Coke but HATE Pepsi?
Do you LOVE Burger King but HATE McDonalds?
That’s what we’re talking about here, politicians are puppets, it’s a controlled duopoly.
Republicans vs. Democrats is as? real as WWF professional wrestling……..they pretend to hate each other, than they go wine & dine & golf together afterwards…
Big Business & Big War run the USA…